Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Enea Vico
Two Trophies With a Cuirass Lower Left

1550

About the Item

Enea Vico (1523-1567) engraving, Two Trophies With a Cuirass Lower Left, 1550, Bartsch 449, with the name of the publisher Ant[onio] Lafreri at bottom, first state (of 2) before numbers. Good condition, with small margins all around, archival matting, 9 5/8 x 7 inches. A fine, fresh impression. Provenance: Furstich Waldburg Wolfegg’sches Kupferstichkabinett (Lugt 2542). The fine impressions of Vico’s Trophy series, such as this example, are of astonishing clarity and brilliance. This sort of showmanship was until recently discounted as lacking in original draughtsmanship or inventiveness, but recent work (as exemplified in the British Museum exhibit The Print in Italy, 1550-1620), is reawakening enthusiasm for Italian prints of this period. In the December 2002 issue of The Print Quarterly Rosemary Mulcahy writes that “Enea Vico da Parma was the outstanding printmaker of his generation.” She goes on to quote Vasari, who allocated Vico a substantial entry in his Lives: “many others have engaged in copper engraving, but have not attained such perfection.” Vico made a range of prints, including archaeological excursions and designs such as this one, and also statues, gems, vases, and some portraits.
  • Creator:
    Enea Vico (1523 - 1567, Italian)
  • Creation Year:
    1550
  • Dimensions:
    Height: 9.63 in (24.47 cm)Width: 7 in (17.78 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU51532726353
More From This SellerView All
  • Adoration of the Shepherds
    By Peter Paul Rubens
    Located in New York, NY
    Adoration of the Shepherds after Peter Paul Rubens (Flemish, 1577-1640), engraved by Pierre-Franois Basan (French, 1723-1797), engraving, c. 1750, in black on ivory laid paper, 282 x 200 mm., with small margins. In very good condition. A fine proof impression, before letters. A draft printing of letters is visible, lower left, below image: “P P Rubens inv.”; lower right: “F. Basan excudit”. Basan’s engraving after Rubens may be modeled after another engraving of the Adoration after Rubens by Theodor Galle (1571-1633), which appeared as an illustration to the 1618 reprint of 1616 edition of “Missale Romanum...
    Category

    1750s Old Masters Figurative Prints

    Materials

    Engraving

  • Descending from the Cross, by Torchlight
    By Rembrandt van Rijn
    Located in New York, NY
    Rembrandt Harmensz. van Rijn 1606 Leiden – Amsterdam 1669 The Descent from the Cross by Torchlight 1654 etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches) Bart...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Drypoint, Etching

  • Flora with her Nymphs, after Giulio Romano
    Located in New York, NY
    GIULIO BONASONE (1510-1576) AFTER GIULIO ROMANO (CIRCA1499-1546) Flora with her Nymphs engraving, circa1531-50, on laid paper, watermark Two crossed Arro...
    Category

    16th Century Old Masters Figurative Prints

    Materials

    Engraving

  • Virgin and Child with the Pear
    By Hans Sebald Beham
    Located in New York, NY
    Hans Sebald Beham (1500-1550), Virgin and Child with the Pear, engraving, 1520. Initials monogram and date in the plate. References: Bartsch 18, Pauli, Hollstein 19. First state (of two). In good condition, on old laid paper with thread margins on three sides, trimmed on the platemark bottom right and bottom, and archival mounting. h: 4.5 x w: 3 in / h: 11.4 x w: 7.6 cm A very good impression of this rarity. Hollstein indicates that earlier impressions, such as this one, do not have a scratch above the head of the Virgin. Beham was one of the Northern Renaissance Little Masters, so called because of their eminence in producing small-scale engravings such as the Virgin and Child with a Pear. Beham was born in Nuremberg in 1500, and may have trained under Durer, though his training is no more certain than that of his younger brother Barthel. He made his first engraving in 1518, and later became known for producing woodcuts as well. Beham’s Madonna with the Pear has a similar composition but in reverse to Durer’s engraving...
    Category

    16th Century Old Masters Figurative Prints

    Materials

    Engraving

  • One Can't Tell Why - Proof from the Disasters of War
    By Francisco Goya
    Located in New York, NY
    Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
    Category

    1810s Old Masters Figurative Prints

    Materials

    Drypoint, Etching, Aquatint

  • Two Fools (or Fool and Foolish Woman)
    By Hans Sebald Beham
    Located in New York, NY
    Hans Sebald Beham (1500-1550), an engraving after Beham’s Two Fools (or Fool and Foolish Woman), engraving, c 1540, a copy or impression in reverse of Pauli 215, Bartsch 213, the cop...
    Category

    16th Century Old Masters Figurative Prints

    Materials

    Engraving

You May Also Like
  • Self-portrait with Raised Sabre - Engraving after Rembrandt - 19th Century
    By Charles Amand Durand
    Located in Roma, IT
    Self-portrait with Raised Sabre is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1634. This wonderful piece of art belongs ...
    Category

    19th Century Old Masters Figurative Prints

    Materials

    Engraving

  • The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
    By Michael Burghers
    Located in Saint Augustine, FL
    Artist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper Limited edition: Unknown Printer: John Baskett, London?, UK Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK Sheet size (irregular margins): 17.25" x 10.5" Image size: 14.75" x 9.5" Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors Very rare Notes: Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK. In the foreground, John the Evangelist, holding a pen and writing...
    Category

    1680s Old Masters Figurative Prints

    Materials

    Watercolor, Engraving, Etching, Laid Paper, Intaglio

  • Street in Smyrna
    By Marius Bauer
    Located in Storrs, CT
    Street in Smyrna. 1889. Etching. Wisselingh 34. 7 x 5 1/4 (sheet 12 7/8 x 8 7/8).Edition 100, number 49. A rich, tonal impression printed on Strasbourg cream laid paper on the full s...
    Category

    Late 19th Century Old Masters Figurative Prints

    Materials

    Drypoint, Etching

  • Self-Portrait with Plumed Cap - Engraving after Rembrandt - 19th Century
    By Charles Amand Durand
    Located in Roma, IT
    Self-Portrait with Plumed Cap and Lowered Sabre is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1634. This wonderful piece...
    Category

    19th Century Old Masters Figurative Prints

    Materials

    Engraving

  • Mr. Garrick in the Character of Richard the 3rd - FINE IMPRESSION
    By William Hogarth
    Located in Santa Monica, CA
    WILLIAM HOGRTH (1697 - 1764) MR. GARRICK IN THE CHARACTER OF RICHARD THE 3RD (Shakespear Act 5 Scene 7) (Paulson 1970.165 ii/ii; Paulson 1989.165 ii/ii;, Dobson and Armstrong p. 20...
    Category

    1740s Old Masters Figurative Prints

    Materials

    Etching, Engraving

  • Woman In Front Of The Stove III - Engraving after Rembrandt - 19th Century
    By Charles Amand Durand
    Located in Roma, IT
    Woman In Front Of The Stove III is an engraving on ivory-colored paper by Charles Amand Durand realized after Rembrandt (date of realization 1658). This wonderful piece of art belon...
    Category

    19th Century Old Masters Figurative Prints

    Materials

    Engraving

Recently Viewed

View All